“A ROSHI NAMED JAKE GAVE ME A SNAKE” : SHUSO PERFORMANCE # 1.

Below is a link to my first rap performance in response to my Shuso Koan (see:  http://artandzentoday.com/?p=4380     ).  There are three pieces of information that might make my rap a bit more meaningful.  The first is that, following Zen tradition, the Shuso Hossen ceremony started off with my teacher handing me a Shippei;  a staff that is a  symbol of a Zen master’s authority.  I held the Shippei before the audience and spoke the following worlds:

“This is a 3 foot long black snake. A long time ago it had become a konpura flower on Mt Gudrakuta, and on Mt. Shorin it had become plum blossom.  Sometimes it transforms into a dragon and swallows heaven and earth.  Sometimes it transforms into a diamond sword with freedom to kill and give life.  Right now, in accord with the order of my teacher, it lies in my hands.  I feel like a mosquito trying to bite an iron bull.  However, being assigned as head trainee, I have to fulfill my duties”.

Secondly, in a series of lectures leading up to the Shuso Hossen Ceremony, I explored the nature and function of Zen ritual.  I spent a great deal of time in these lectures discussing an article entitled “Rituals” by Robert Sharf.  The author suggests that it is useful to view rituals as a form of transubstantiation where the participants understand that many aspects of their ritual activities are a form of play and yet can be taken seriously. He says that just as a child who uses a stick to represent a horse when playing cowboys understands that the stick is not really a horse, ritual participants act “as if” certain things are true or real, while knowing that it is only “as if”.  The most common example of this is the idea in communion that the wine offered by the priest is the blood of Christ.  I suggested, in my lectures, that engaging in the “as ifness” of rituals can be a way of learning to remain engaged in everyday life while not being attached (i.e. in society by not of society). To see two earlier posts on “transubstantiation”, type that term in the Search Box on the right and hit “enter” on your computer.

The third  item that might be helpful to look at before watching the video is a poem written by Jake Roshi several years ago and published on this site in an article titled “Poems and  Images of Five Vista Zen Center Artists”  (see:   http://artandzentoday.com/?p=3541     ).  The poem is not long but it is laid out in a visually interesting way and so you have to scroll down a bit to get to the video.

 

 No Choice?

By Jake Roshi

The Way is not difficult

for those who do not pick and choose.

The Way is not difficult

for those who do pick and choose.

When you walk the Way,

just walk the Way.

It is not near,

it is not far.

It just is.

Just do not get in the way

of the Way.

Or, Just get in the way

of the Way.

Either way Is the Way.

Either way is.

Either way

Is neither

The Way

Nor not

the

Way.

I think I’ll go away

Now.

Click on link below to watch the video:

https://youtu.be/x0q15sWm77I

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JAKE ROSHI AND MANOJ DISCUSS THE SHUSO HOSSEN CEREMONY

Last week’s post was the beginning of a series having to do with my Shuso Hossen Ceremony held on March 5th.  Since the format of the Ceremony was a bit nontraditional, Jake Roshi wanted us to sit down and “process” the event.  I brought a series of questions to the meeting that had been sent to me by Judy after the Ceremony.  I used her questions as sort of a jumping off point for our conversation.  I video taped my discussion with Roshi and the video below is one segment of our conversation, prompted by some of Judy’s  questions.  I will likely release more parts of our discussion in the future.  Warning: this video will have more meaning for viewers who attended the Ceremony. To see earlier posts regarding my Shuso Hossen Ceremony, use the Search Categories to the right or type in “Shuso Hossen” in the Search Window.

 

https://www.youtube.com/watch?v=QmKaRF4lLg0

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THE PRACTICE OF “AS IF”. FAKING IT TILL YOU MAKE IT?

Today’s “post-modern” society is characterized by a dwindling confidence in any authority (religious, political scientific etc.) purporting to offer “the truth” on some topic.  Since the term “author” is derived from the word “authority”, writers, such as myself, are also suspect.  I recently read an article called “Beyond Postmodernism? Towards a Philosophy of Play” by Robert Miller, who points out that it should be understood that what authors (including himself) have to say should be best understood as something to be “played with” rather than some statement of truth.  Further he suggests that this is exactly what is encouraged through Zen practice.  Accordingly, I see my posts as being more like an art pieces than articles, where whatever is said is hopefully seen as fodder for “mind play”.  Even though I’m not sure whether or not there is any validity to what I am thinking,  I continue to write as if  I know what I am doing; as if  I was an real author.

———————————————————————————————————————————An essential characteristic of

child’s play is a dimension of pretend—that is, an action

and interaction in an imaginary, “as if” situation.

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In the past several posts I have been playing with the concept of “as if” and have tried to connect it to both art and spiritual practices.  The extent to which I can mine the idea of “as if” may be coming to an end but want to provide readers with one final “play date” on this topic.  This will take the form of a series of entries or cases, written by others, that relate to the concept of “as if”.  Rather than try to tie these together for you, (as if I was an authority with the truth), I’ll let you play with them relatively unfettered by my commentaries.

1. The first case is a review of the documentary movie KUMARE. by Roger Ebert    http://www.rogerebert.com/reviews/kumare-2012  A number of members of The Vista Zen Center watched this film and it has been the object of a great deal of discussion afterwards.

“Growing up in New Jersey, Vikram Gandhi was a typical American kid who resented the way his family tried to enforce Hindu beliefs and practices. He found it ironic that Americans began to popularize gurus and yoga just at the time he was growing away from such things. On a trip to India, he says, he found that “real” gurus were no more real than the American frauds who copied them.

That led him into the deliberate deception that he filmed in “Kumare.” He grew a long beard and a pony-tail, exchanged his shoes for sandals, switched his slacks and suits to flowing orange robes, and started carrying an ornate walking stick. Then he moved toArizona, hired an expert to teach him yoga and a PR woman to promote him as a guru, and began to attract followers in meetings at shopping malls, community centers and around the swimming pools of his affluent clients. His accent was modeled on the way his grandmother spoke English. His teachings were deliberate gibberish: talk of inner blue lights, “finding the guru within,” and chants of fabricated mantras.

At this point in the film, it takes an odd turn. Kumare’s followers believe him without question. They share their deepest secrets with him and visibly appear to benefit from him. These people are not dummies. Mostly middle-aged, they take their health seriously, are somewhat skilled at yoga and follow schedules of meditation. “Kumare” seems to establish that a guru can be a complete fraud and nevertheless do a certain amount of good, because what matters is not the sincerity of the guru but that of his followers.

Gandhi narrates the documentary (in an ordinary American voice), introduces us to followers he’s grown close to, and begins to believe he may have started something that was out of his control.  He tells his followers the time has come for him to leave them. Now they are on their own. He returns toNew Jersey, cuts his hair, shaves his beard, and begins to practice a speech in the mirror: “I am not who you think I am.” Whether he ever says this, and how the movie ends, I will leave for you to discover.

It seems to me that “Kumare” reflects a truth that is often expressed in three words: “Act as if.” If you can act as if something is true, in a sense that makes it true. It doesn’t matter if a teacher’s spiritual teachings have any basis. It doesn’t matter if the supernatural even exists (Gandhi believes it does not). His followers benefit by acting ‘as if’.”

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2.  I discovered that a number of research and therapists in psychology have incorporated the ideas put forth by Hans Vaihinger in his book The Philosophy of “As If”.   Below is an excerpt from  a blog called “Mindfulness Muse” which provides a description of this approach in psychology:

“Most of us have some aspect of our lives or ourselves that we would like to change. Perhaps you have a clear vision in your mind of how you would like to be “different” in some way, yet all of the facts and positive self-talk in the world doesn’t seem to be enough to turn your vision into reality. It is not uncommon to know what we could do to be “better” in regards to some aspect of who we believe/wish ourselves to be, yet knowledge and piles of self-help books don’t seem to be enough. These are the times when it is more important take a step back and try a different approach. The first step is to get out of your mind and take action.

Do you really want to change? Attitudes, thoughts, and behaviors are so closely intertwined that the truth about change is that in many ways you can become different when you start acting as if you are different. This concept is at the heart of Dialectical Behavior Therapy’s (DBT) principle of opposite action.

How to Change Your Life by Choosing New Behaviors

Take a moment to reflect on an aspect of yourself that you deeply wish to change. This type of self-transformation is one that is positive in nature and intended to move you closer toward living your life in accordance with your true values. Consider the person that you believe yourself to be today – in this very moment. Now reflect on the aspects of your core identity that you wish to materialize in your life. Do you wish you were more [.....]? You can be. Stop thinking about it and starting acting as if you already are.

(1) Happiness: Smile

Do you wish that you felt happier? Less depressed? You have indirect control over your emotions through consciously choosing new ways of behaving. Research has found that the simple behavioral choice to activate your facial muscles into a smile is enough to genuinely make you feel happier. Even if you feel a bit silly the first time you give this exercise a try, do it anyway! That’s what making actual changes through behavioral choices is all about.”

This is one of 10 examples of this approach.  You can read more by clicking here.

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 A while back an artist friend showed me her business card which had “Aspiring Artist” after her name.  I told her that I felt that she was doing herself a disservice by not billing herself as an artist, but had no convincing rationale for my response.  Since learning about “as if”, I think that my response to her made some sense.  Below are a couple of online articles that have to do with becoming an artist.  The first (A) is from The Daily Painter Blog .  The second (B) is from a site called Lateral Action.

(A)

How to Become an Artist, “Fake It”

Tuesday/08/2012 August Filed in: Art Marketing

Becoming an artist is easy. You just proclaim you are. You can not do this if you want to be a Brain Surgeon. You do not need a degree to be an artist. Heck, the best artist are children until a sibling or some bully says their art stinks. Some stop and never return until they realize what happened. That’s what I like about my job. Getting people hooked on art, again. I’m sort of a art pusher, I lurk in the back of art stores looking for people to turn on to art who gave up the dream.

(B)

How to Fake It As an Artist

Have you ever walked into an art gallery and thought “I could do better than that!”?

Or are you a contemporary art enthusiast, tired of hearing people criticize things they don’t understand?

Whichever side of the fence you’re on, you’re bound to have an opinion on the story of Paul O’Hare, a painter and decorator fromLiverpool,UK, who was given just four weeks to transform himself into a fine artist and attempt to fool the critics at aLondon art gallery.

Paul’s story was featured in one of my all-time favorite documentary series, Faking It. In each program, a member of the public was given a month’s intensive training at an improbably difficult profession – and then put through a competitive test alongside experienced pros, to see if they could ‘fake it’ by convincing the judges they were the real deal.

The final test was an exhibition at a London gallery, where Paul’s work was displayed alongside three artists who had been exhibiting and selling work for several years. The work was judged by three respected critics, who also interviewed each of the artists, to see how convincingly they could discuss their work.

 

Paul was clearly feeling the pressure as he was grilled by the judges, and his performance wasn’t perfect. But in the event, one of the genuine artists did an even worse job of explaining his own work – it just goes to show you can’t always tell from appearances. And neither could the judges – out of three of them, only one spotted Paul as the fake.

Takeaway: There comes a point where you have to step out confidently and present yourself to the world as the person you want to be – even though you’re feeling terrified inside. And there are no guarantees that the world will buy your bluff.

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4. The last case is based on an article entitled “Zazen as Enactment Ritual” (by Taigen Dan Leighton) which is published in Zen Ritual: Studies of Zen Buddhist Theory in Practice by Steve Heine and Dale Wright .  The rest of this post presents a series of excerpts from Leighton’s article and Editor Wright’s comments on the article.

Leighton’s article is about Zazen, the practice often referred to as “just sitting”.  Most people, including practioners, tend  to see “just sitting” as a technique that is practiced in order to become awakened.  Eihei Dogen, one of the most influential Zen philosophers and writing in the 1200s, vigorously argued against this view.  Leighton points out that “the zazen practice, espoused by Dogen “is not one of the traditional meditations programs that one can study and learn step-by-step” (170 ).  but rather, “zazen is seen as the expression and function of buddhas, rather than buddhahood being a function, or consequence, of zazen”. (172)  Awakening is not some one time future event attained through zazen but rather the expression of whatever enlightenment is at hand.

Wright, commenting on Leighton’s article, points out that Leighton builds upon and elaborates on Dogen’s views by treating zazen as a ritual. Here is how Wright interprets Leighton’s main point:

” As Taigen Dan Leighton (Chaper 5) puts it, Zazen practitioners understand this ritual as one that ‘enacts’ the enlightenment of the Buddha already resident within the pracitioner.  When you ‘enact’ something, you act it out as if it (italics are Wright’s) were already the case.  If you act out that pattern attentively and long enough, then, to some extent at least, it becomes true of your mind through the pattern we can see clearly in Stanley Tambiah’s sophisticated work on Buddhist ritual. (pg. 12)……The practices of Zen ritual are forms of practical understanding and knowledge.  They constitute a particular way of acting  and being in the world that defines Zen.” (pg. 13)

Based on all of this evidence it certain does seem as if……………………  Ooops! I forgot that I promised no interpretation or commentary.

 

 

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