ART FROM THE HEART: BETH TALKS ABOUT HER SUMI-E AND ZEN PRACTICES

Beth (Esho) is no stranger to the pages of Art and Zen Today.  Three years ago we published Beth’s article “BETH MOSKAL MILLIGAN ON SUMI-E PAINTING AND ZEN PRACTICES”  where she wrote about her studies with Sumi-e master Takashi Ijichi and Zen practice with Jake Roshi. ( http://artandzentoday.com/?p=3243 ).  The short talk from the Shuso Hossen , captured in the video below, expands upon this earlier article.  Pay attention to the points that Beth makes in the video; I think they are very consistent with my musical responses to the Shuso Koan as seen in a video posted earlier (   http://artandzentoday.com/?p=4678)

To see Beth’s “Art From the Heart” talk at the Shuso Hossen, please click below:

https://youtu.be/VJ4aP_xNhyA

Scroll Down to see other performances at the Shuso Hossen Ceremony.

 

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Shuso Hossen Ceremony: Eric Kuniholm Reads Short Story “Ziggy”.

Today’s posting is a video of Eric Kuniholm reading a short story called “Ziggy”.  It is a part of a novel that Eric is writing that is about dog detectives.  Eric has been associated with theVistaZenCenterfor 20 years and brings his Zen insights to his writings.  You can see this video  at the link below:

 

https://www.youtube.com/watch?v=X2DzjK6b9hk

 

Recent posts on the Art and Zen Today site have involved segments from my Shuso Hossen Ceremony in March of 2016.  The last post was a video of the last of my musical performance during the ceremony. Last I looked, the count of those viewing the video was unusually low. So, if you haven’t already, you may want to view this one as it is really the most straightforward response to the Shuso Koan of all my performances.  (See this video , titled “Art and the Four Vows” at:

 

https://www.youtube.com/watch?v=cr_1080EtN8

 

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“MASTER BODHIDHARMA, BODHISATTVA BODHIDHARMA”: SEGMENT 2 FROM THE SHUSO HOSSEN CEREMONY

 

Hi and welcome to another edition of Art and Zen Today.  Today’s post consists of more video from my Shuso Hossen Ceremony.  We start off with Eyal Raz reading Rumi’s “The House Guest.  This is one of three short stories read by Eyal during the Ceremony.  All of them come from a tradition other than Zen but all convey the same depth of wisdom found in the most profound Zen texts.  The texts of the other two stories read by Eyal are printed below.  Following that is the second of my performance raps, which were intended as responses to  the Koan I was given.  It’s called “Master Bodhidharma, Bodhisattva Bodhidharma”.   For more on the Shuso Hossen Ceremony and other topics related to Zen and art use the SEARCH option or click on relevant CATEGORY at the right.

To see Video, click on link below:

https://youtu.be/el-YN0Oea5c

The Primordial Light ( A Jewish chassidic tale)

In the beginning God created the heaven and the earth.

In the first day - God said, Let there be light: and there was light.

In the fourth day – God said, Let there be lights in the firmament of the heaven… to give light upon the earth.

Question : What did happen to the first, primordial light after the light in the firmament of the heaven was created?

Answer : God hid it

Question : For whom did he hide it?

Answer : For the enlightened ones

Question : How can we observe it?

Answer : It is reflected in their daily activities.

Longing for (Kabir)

Friend, hope for the Guest while you are alive.

Jump into experience while you are alive!

Think… and think… while you are alive.

What you call ‘salvation’ belongs to the time before death.

If you don’t break your ropes while you’re alive,

do you think ghosts will do it after?

The idea that the soul will join with the ecstatic just because the body is rotten that is all fantasy.

What is found now is found then.

If you find nothing now, you will simply end up with an apartment in the City ofDeath.

If you make love with the divine now, in the next life you will have the face of satisfied desire.

So plunge into the truth, find out who the Teacher is, believe in the Great Sound!

Kabir says this: When the Guest is being search for, it is the intensity of the longing for the Guest that does all the work.

Look at me, and you will see a slave of that in 

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“A ROSHI NAMED JAKE GAVE ME A SNAKE” : SHUSO PERFORMANCE # 1.

Below is a link to my first rap performance in response to my Shuso Koan (see:  http://artandzentoday.com/?p=4380     ).  There are three pieces of information that might make my rap a bit more meaningful.  The first is that, following Zen tradition, the Shuso Hossen ceremony started off with my teacher handing me a Shippei;  a staff that is a  symbol of a Zen master’s authority.  I held the Shippei before the audience and spoke the following worlds:

“This is a 3 foot long black snake. A long time ago it had become a konpura flower on Mt Gudrakuta, and on Mt. Shorin it had become plum blossom.  Sometimes it transforms into a dragon and swallows heaven and earth.  Sometimes it transforms into a diamond sword with freedom to kill and give life.  Right now, in accord with the order of my teacher, it lies in my hands.  I feel like a mosquito trying to bite an iron bull.  However, being assigned as head trainee, I have to fulfill my duties”.

Secondly, in a series of lectures leading up to the Shuso Hossen Ceremony, I explored the nature and function of Zen ritual.  I spent a great deal of time in these lectures discussing an article entitled “Rituals” by Robert Sharf.  The author suggests that it is useful to view rituals as a form of transubstantiation where the participants understand that many aspects of their ritual activities are a form of play and yet can be taken seriously. He says that just as a child who uses a stick to represent a horse when playing cowboys understands that the stick is not really a horse, ritual participants act “as if” certain things are true or real, while knowing that it is only “as if”.  The most common example of this is the idea in communion that the wine offered by the priest is the blood of Christ.  I suggested, in my lectures, that engaging in the “as ifness” of rituals can be a way of learning to remain engaged in everyday life while not being attached (i.e. in society by not of society). To see two earlier posts on “transubstantiation”, type that term in the Search Box on the right and hit “enter” on your computer.

The third  item that might be helpful to look at before watching the video is a poem written by Jake Roshi several years ago and published on this site in an article titled “Poems and  Images of Five Vista Zen Center Artists”  (see:   http://artandzentoday.com/?p=3541     ).  The poem is not long but it is laid out in a visually interesting way and so you have to scroll down a bit to get to the video.

 

 No Choice?

By Jake Roshi

The Way is not difficult

for those who do not pick and choose.

The Way is not difficult

for those who do pick and choose.

When you walk the Way,

just walk the Way.

It is not near,

it is not far.

It just is.

Just do not get in the way

of the Way.

Or, Just get in the way

of the Way.

Either way Is the Way.

Either way is.

Either way

Is neither

The Way

Nor not

the

Way.

I think I’ll go away

Now.

Click on link below to watch the video:

https://youtu.be/x0q15sWm77I

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JAKE ROSHI AND MANOJ DISCUSS THE SHUSO HOSSEN CEREMONY

Last week’s post was the beginning of a series having to do with my Shuso Hossen Ceremony held on March 5th.  Since the format of the Ceremony was a bit nontraditional, Jake Roshi wanted us to sit down and “process” the event.  I brought a series of questions to the meeting that had been sent to me by Judy after the Ceremony.  I used her questions as sort of a jumping off point for our conversation.  I video taped my discussion with Roshi and the video below is one segment of our conversation, prompted by some of Judy’s  questions.  I will likely release more parts of our discussion in the future.  Warning: this video will have more meaning for viewers who attended the Ceremony. To see earlier posts regarding my Shuso Hossen Ceremony, use the Search Categories to the right or type in “Shuso Hossen” in the Search Window.

 

https://www.youtube.com/watch?v=QmKaRF4lLg0

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THANK YOU FOR LETTING ME BE MYSELF AGAIN (Music Video)

Below is a link to a new video that was used in my Shuso Hossen Ceremony. It involves images of the Vista Zen Center and music produced by me and Central Florida’s favorite blues singer “Stoney” Stone.  For more background on the ceremony, the video and Stoney, read below before watching.

About a month ago I published a post titled “Koan For Manoj’s Shuso Hossen” (http://artandzentoday.com/?p=4380).  In that article I wrote:

 In this ceremony a student offers his or her understanding of the Koan and fields questions from other students about the Koan to demonstrate their readiness to be considered a senior student.  Usually, students are assigned to work on one of the traditional Koans that have been part of the training for Zen monks throughout the centuries in China and Japan.  However, my teacher has decided to explore alternative Koans that speak more to  Westerners living and practicing Zen in non-monastic circumstances.

The Ceremony was held on March 5, 1916 and  many of my upcoming posts will either entail segments from the video recordings made that night or will be based on my experiences as a Shuso at the Vista Zen Center. The essence of my Shuso Koan (see below) had to do with how I would or could fulfill the Four Bodhisattva Vows as an artist. During the Ceremony I presented 5 different musical performances that I saw as answering my Koan. In addition to my presentations, about 15  other members of the Center  also gave short performances displaying their understanding of Zen and their creative interests.  So the Ceremony consisted of a full evening of poems, songs, stories, demonstrations and short talks etc.

                                                            Shuso Koan

I ended my portion of the evening by singing Sly Stone’s “I want to Thank You For Letting Me Be Myself Again” using altered lyrics that I hoped expressed my appreciation to my teacher and fellow students for providing a safe place to practice Zen.


A week after the Ceremony, my wife’s niece Elene and her boyfriend “Stoney” visited with us for a few days. They both are musicians and play together in various venues in central Florida.   Stoney’s other band “Stoney and the Housebreakers” also play for events throughout Florida and have produced numerous CDs.  Their album “Cruisin’ For A Bluesin’ ” was the recipient of the prestigious Central Florida “CD of The Year Award” in 2009 @ The Brevard Live Florida Music Awards.(See the band’s  website: http://www.stoney3.com/ )

                                                          Elene and Stoney

Anyway, soon after our visitors arrived, I had Stoney in my studio singing the altered lyrics to the Sly Stone classic.  The short video below incorporates the recording Stoney and I produced and is accompanied by images compiled for the Shuso Hossen Ceremony to display the talents and dedication of the members of the Vista Zen Center.

https://youtu.be/WdWtlB6cphI

 

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KOAN FOR MANOJ’S SHUSO HOSSEN

It has been a while since I have made any entries here at Art and Zen Today. Now that I am back, I plan to use this site in a slightly different way; namely as one component of a performance art piece that is a response to a Koan given to me by my Zen teacher Jiyu Gage Roshi.

I’ll be working on this Koan in preparation for a ceremony that is called “Shuso Hossen” in the Zen world.  In this ceremony a student offers his or her understanding of the Koan and fields questions from other students about the Koan to demonstrate their readiness to be considered a senior student.  Usually, students are assigned to work on one of the traditional Koans that have been part of the training for Zen monks throughout the centuries in China and Japan.  However, my teacher has decided to explore alternative Koans that speak more to  Westerners living and practicing Zen in non-monastic circumstances.

My intention, at this point, is to frame my response as a performance art piece and use blog posts here at Art and Zen Today as part of that performance.  All of this may change, but for now I see posts in the near future as being directed primarily  to members of The Vista Zen Center and having to do with “my process” as I prepare for the Shuso Hossen Ceremony.  .  It is my hope that my posts will generate comments and feedback from readers that will help me figure out what the culminating ceremony will look like. Here ( in Italics) is my Koan as sent to me by Roshi:

 In our Shuso Hossan ceremony we will be looking at a koan that Manoj has been working with for quite sometime. It is traditional for the person who is the shuso to work on a koan with the teacher in preparation for being asked questions by other sangha members during the ceremony. In our situation I am asking Manoj to work with the Four Vows as his koan. In fact, I gave him this koan in the very beginning of our study together. It came out of my own struggles with the Four Vows. I told Manoj that if he wanted  to be a serious Zen student he would need to be able to answer the question for himself about how he could work with the Four Vows and create Art simultaneously. When I started Zen practice, I felt some guilt about doing my own artwork while there was so much suffering going on all around me. Overtime, considerable time, I was able to resolve those issues in a satisfactory way for myself and for my teacher’s understanding. As Manoj reached the point where I was going to ask him to go through the ceremony with me and the Sangha, I realized this question around the Four Vows would be good for us as a community to look at together with Manoj. In fact, I may use it with other Shusos in the future. We will talk more about this in group discussions that we will be having over the next few weeks and months. So, the koan Manoj is working with is as follows:

A student came to the teacher and said I want to study with you. Fine, you may study with me but, you are an artist and I want to know how you can fulfill your Bodhisattva Vows as a Zen Buddhist while painting at your easel or playing your trumpet. These are the vows I am speaking of: (These are the ones we regularly chant at The Vista Zen Center)

Sentient beings are numberless, I vow to free them.

Delusions are inexhaustible, I vow to transform them.

The dharmas are boundless, I vow to embody them.

The Buddha Way is unsurpassable, I vow to awaken..

Who is your picture freeing? What  delusions are your tunes transforming? What dharma gates are being embodied when you sculpt? How does your art awaken anyone, including yourself?”

While most of my previous blog post were directed to anyone interested in the topics I covered, those leading up to the Shuso Hossen will be primarily directed to members of the Vista Zen Center.  Where most of these earlier posts had the flavor of  semi-academic essays, I will endeavor to make future posts shorter and more personal  expressions having to do with  my process of fashioning a response to the Koan. One way for the Sangha to be involved, as per Roshi’s wishes, is for readers to make comments on the posts as they are published.