“HOW DOES JESUS SAVE US?” : NEW RELEASE BY WILSON BROS/ SHRINK WRAP

 

 

 

Today’s post consists of an audio and video experience.  The first is Wilson Bros/Shrink Wrap’s newest release “How Does Jesus Save Us?”  Also included is a video where I describe the process of teaming up with my brother to create a music that is related to increasing our awareness of death and dying.  I’d suggest scrolling down to the music first and then viewing the video if you are interested.     

Link to Video Entitled “Some Thoughts on Music and Death”

https://youtu.be/jZqEHGJ9h04

Here are some suggestions for listening:

1) Play the music when you have enough time to mindfully listen without worrying about being distracted by other issues.

2) Use whatever rituals you usually use when preparing  to move out of the  flow of ordinary life.

3) The music was especially created to be heard through headphones.  Try to avoid earplugs, if possible.

4)  As you listen, focus on your bodily reactions (i.e. sensations, feelings, emotions etc., whether positive or negative) rather than the meaning of what you are hearing.

5)  Try listening to the piece more than once be open to having different experiences with each exposure.  Try dancing/moving while you listen!

An Incantation to Time’s Disintegration of Memory: The Art of Gwyn Henry

 

Sudie by Gwyn Henry

I often feature artistists whose work seems to exemplify the perspectives on  art and spirtiual practices that I have developed over the years on this site.  As I have pointed out in previous posts, art practice can often be meditative in nature but it also seems to inevitable bring up “issues” which, if faced fully, can be transformitive.  A good example of this, I think, can be found in the work of Gwyn Henry of Excondido CA.  This post consists of a video, a series of images and a short statement  by Gwyn.  My suggestion is that you watch her short video first and then scroll down to see the still images and her account of how her work has evolved.       http://choctaw44.wixsite.com/gwynart

 

 

 Click on link to see Video by Gwyn Henry:

https://www.youtube.com/watch?v=vIKNnFjtKac&feature=youtu.be

 

“An Incantation to Time’s Disintegration of Memory”

                         by Gwyn Henry

When I acquired software that allowed my computer to communicate with an old-school VCR player, I was eager to put my parents’ vintage home movie footage into my film editing application for viewing. The footage was in VHS cassette format, and had been stored for over half a century. Once the frames began to move in front of me, I suddenly became aware of, and shocked by, the way those cherished images of my childhood, were decomposing. They had become a chaos of fragments, like shards from a broken mirror…. a disembodied head here, an arm there, torsos flitting briefly across the sceene. What images were still discernable held striations, static, their colors fading fast, and large sections were already and simply gone.

This disintegration struck me as a profound metaphor for what happens to human memories. In the same way one might discover, years after a loved one dies, calling their face to mind has become strangely impossible; or we have forgotten the ending of one of our life’s important narratives; or have confused one long-ago friend with another…

 

Watching my childhood flicker and sputter before me, it was as if the most fundamental connections to other humans… my parents, grandparents, brother, sister, aunts, uncles, cousins… were literally, before my eyes, saying good by, breaking up & vanishing. More than a few times I reached to touch the screen, as if to stay them, as if I could hold them in my hand to keep them from leaving.

 

Yet even as I experienced this human aversion to the way Nature imposes a time limit on the stuff of this world, I must admit to finding Beauty within that disintegration and vanishment. The nascent Images of my life, preserved by this outmoded technology, reveal an eloquence that speaks to many things: the fading of the history of our lives as it exists in memory, the temporary nature of our lives, the physical decay of the tapes themselves, and just as much, the conceptual worlds of technologies that come and go with the quickness of ephemera: Today’s high-cachet iphone is tomorrow’s rubbish.

Immersed in making video art at the time, I created and produced a “video poem” from the home movie footage, presenting the images as art as well as artifact. The video poem was intended to be an abstraction, or embodiment, of the essential qualities of my discovery of the connection between the loss of memory, and the loss of the vintage tapes. An attempt to show the way I experienced it. It is titled, AN INCANTATION TO

 

TIME’S DISINTEGRATION OF MEMORY.

A few years later, I revisited the video poem, which resulted in me excising single frames, “stills”, from it (perhaps, unknowingly, another attempt to keep the images from disappearing!). After adding more digital effects, then printing and framing them, to my surprise they became icon-like in their stillness, images frozen for contemplation. Like icons, they offer entry to the world of the subject (my family and my childhood).. a world where discovery and revelation can be found and explored.

I have determined that not only traditional religious icons can lead to revelation. A single human life also encompasses its own world of personal iconic images which, if entered, offers a path to deeper knowledge and understanding of that individual world. Those images can allow us to see and feel even more keenly what we have lived.

—Gwyn

NOTE:

Some of the images carry a visual conversation between my inked traces, and the landscape of the image. I found this process to be meditative, and evocative of feelings and impressions that were often beyond words. Each ended with a sense of a completed entirety….something had been brought full circle. –g,

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1) “wow, I felt it as a dissolution of the Self…
thank you for this Steve”  A.

2)

Thanks for that Steve… I don’t often take the time to ponder and reflect regarding where I have been and where I am going as a result of where I have been… Yet, when I do, very much like Gwyn, I am apt to walk through doors which have been closed for years or perhaps doors that I never even stood in front of before – Deep stuff, my man!!! again, thanks for sharing.  S.
3)

I know Gwyn.
Jon

 

“MONEY (THAT’S WHAT I WANT)” FEATURING M.C. DONALD TRUMP

Over the past few months I have been using my Digital Audio Workstation to put my personal signature on some of my favorite dance tunes.  In one, ” Money (That’s What I Want)”, I used selections from some Trump speeches to create a “Trump Rap” section. Probably because the Republican Convention began today, I remembered this revamped tune and decided it might be interesting to post it on Youtube.  So I quickly downloaded a bunch of photos and videos that I thought might go with the music.

Here at Art and Zen Today, we tend to try to remain bipartisan or at least bi-polar,  so this is not the usual type of video featured here.  However, I just could not help myself and hope that you enjoy it.  Believe me, it’s huge!!  ”Money” is a great dance tune, so if your going to listen to it, you might as well get up and dance as well. To watch the video, click on the link below:

 

https://youtu.be/sIhXrihI2QQ

 

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ART FROM THE HEART: BETH TALKS ABOUT HER SUMI-E AND ZEN PRACTICES

Beth (Esho) is no stranger to the pages of Art and Zen Today.  Three years ago we published Beth’s article “BETH MOSKAL MILLIGAN ON SUMI-E PAINTING AND ZEN PRACTICES”  where she wrote about her studies with Sumi-e master Takashi Ijichi and Zen practice with Jake Roshi. ( http://artandzentoday.com/?p=3243 ).  The short talk from the Shuso Hossen , captured in the video below, expands upon this earlier article.  Pay attention to the points that Beth makes in the video; I think they are very consistent with my musical responses to the Shuso Koan as seen in a video posted earlier (   http://artandzentoday.com/?p=4678)

To see Beth’s “Art From the Heart” talk at the Shuso Hossen, please click below:

https://youtu.be/VJ4aP_xNhyA

Scroll Down to see other performances at the Shuso Hossen Ceremony.

 

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Shuso Hossen Ceremony: Eric Kuniholm Reads Short Story “Ziggy”.

Today’s posting is a video of Eric Kuniholm reading a short story called “Ziggy”.  It is a part of a novel that Eric is writing that is about dog detectives.  Eric has been associated with theVistaZenCenterfor 20 years and brings his Zen insights to his writings.  You can see this video  at the link below:

 

https://www.youtube.com/watch?v=X2DzjK6b9hk

 

Recent posts on the Art and Zen Today site have involved segments from my Shuso Hossen Ceremony in March of 2016.  The last post was a video of the last of my musical performance during the ceremony. Last I looked, the count of those viewing the video was unusually low. So, if you haven’t already, you may want to view this one as it is really the most straightforward response to the Shuso Koan of all my performances.  (See this video , titled “Art and the Four Vows” at:

 

https://www.youtube.com/watch?v=cr_1080EtN8

 

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“MASTER BODHIDHARMA, BODHISATTVA BODHIDHARMA”: SEGMENT 2 FROM THE SHUSO HOSSEN CEREMONY

 

Hi and welcome to another edition of Art and Zen Today.  Today’s post consists of more video from my Shuso Hossen Ceremony.  We start off with Eyal Raz reading Rumi’s “The House Guest.  This is one of three short stories read by Eyal during the Ceremony.  All of them come from a tradition other than Zen but all convey the same depth of wisdom found in the most profound Zen texts.  The texts of the other two stories read by Eyal are printed below.  Following that is the second of my performance raps, which were intended as responses to  the Koan I was given.  It’s called “Master Bodhidharma, Bodhisattva Bodhidharma”.   For more on the Shuso Hossen Ceremony and other topics related to Zen and art use the SEARCH option or click on relevant CATEGORY at the right.

To see Video, click on link below:

https://youtu.be/el-YN0Oea5c

The Primordial Light ( A Jewish chassidic tale)

In the beginning God created the heaven and the earth.

In the first day - God said, Let there be light: and there was light.

In the fourth day – God said, Let there be lights in the firmament of the heaven… to give light upon the earth.

Question : What did happen to the first, primordial light after the light in the firmament of the heaven was created?

Answer : God hid it

Question : For whom did he hide it?

Answer : For the enlightened ones

Question : How can we observe it?

Answer : It is reflected in their daily activities.

Longing for (Kabir)

Friend, hope for the Guest while you are alive.

Jump into experience while you are alive!

Think… and think… while you are alive.

What you call ‘salvation’ belongs to the time before death.

If you don’t break your ropes while you’re alive,

do you think ghosts will do it after?

The idea that the soul will join with the ecstatic just because the body is rotten that is all fantasy.

What is found now is found then.

If you find nothing now, you will simply end up with an apartment in the City ofDeath.

If you make love with the divine now, in the next life you will have the face of satisfied desire.

So plunge into the truth, find out who the Teacher is, believe in the Great Sound!

Kabir says this: When the Guest is being search for, it is the intensity of the longing for the Guest that does all the work.

Look at me, and you will see a slave of that in 

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“A ROSHI NAMED JAKE GAVE ME A SNAKE” : SHUSO PERFORMANCE # 1.

Below is a link to my first rap performance in response to my Shuso Koan (see:  http://artandzentoday.com/?p=4380     ).  There are three pieces of information that might make my rap a bit more meaningful.  The first is that, following Zen tradition, the Shuso Hossen ceremony started off with my teacher handing me a Shippei;  a staff that is a  symbol of a Zen master’s authority.  I held the Shippei before the audience and spoke the following worlds:

“This is a 3 foot long black snake. A long time ago it had become a konpura flower on Mt Gudrakuta, and on Mt. Shorin it had become plum blossom.  Sometimes it transforms into a dragon and swallows heaven and earth.  Sometimes it transforms into a diamond sword with freedom to kill and give life.  Right now, in accord with the order of my teacher, it lies in my hands.  I feel like a mosquito trying to bite an iron bull.  However, being assigned as head trainee, I have to fulfill my duties”.

Secondly, in a series of lectures leading up to the Shuso Hossen Ceremony, I explored the nature and function of Zen ritual.  I spent a great deal of time in these lectures discussing an article entitled “Rituals” by Robert Sharf.  The author suggests that it is useful to view rituals as a form of transubstantiation where the participants understand that many aspects of their ritual activities are a form of play and yet can be taken seriously. He says that just as a child who uses a stick to represent a horse when playing cowboys understands that the stick is not really a horse, ritual participants act “as if” certain things are true or real, while knowing that it is only “as if”.  The most common example of this is the idea in communion that the wine offered by the priest is the blood of Christ.  I suggested, in my lectures, that engaging in the “as ifness” of rituals can be a way of learning to remain engaged in everyday life while not being attached (i.e. in society by not of society). To see two earlier posts on “transubstantiation”, type that term in the Search Box on the right and hit “enter” on your computer.

The third  item that might be helpful to look at before watching the video is a poem written by Jake Roshi several years ago and published on this site in an article titled “Poems and  Images of Five Vista Zen Center Artists”  (see:   http://artandzentoday.com/?p=3541     ).  The poem is not long but it is laid out in a visually interesting way and so you have to scroll down a bit to get to the video.

 

 No Choice?

By Jake Roshi

The Way is not difficult

for those who do not pick and choose.

The Way is not difficult

for those who do pick and choose.

When you walk the Way,

just walk the Way.

It is not near,

it is not far.

It just is.

Just do not get in the way

of the Way.

Or, Just get in the way

of the Way.

Either way Is the Way.

Either way is.

Either way

Is neither

The Way

Nor not

the

Way.

I think I’ll go away

Now.

Click on link below to watch the video:

https://youtu.be/x0q15sWm77I

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JAKE ROSHI AND MANOJ DISCUSS THE SHUSO HOSSEN CEREMONY

Last week’s post was the beginning of a series having to do with my Shuso Hossen Ceremony held on March 5th.  Since the format of the Ceremony was a bit nontraditional, Jake Roshi wanted us to sit down and “process” the event.  I brought a series of questions to the meeting that had been sent to me by Judy after the Ceremony.  I used her questions as sort of a jumping off point for our conversation.  I video taped my discussion with Roshi and the video below is one segment of our conversation, prompted by some of Judy’s  questions.  I will likely release more parts of our discussion in the future.  Warning: this video will have more meaning for viewers who attended the Ceremony. To see earlier posts regarding my Shuso Hossen Ceremony, use the Search Categories to the right or type in “Shuso Hossen” in the Search Window.

 

https://www.youtube.com/watch?v=QmKaRF4lLg0

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THANK YOU FOR LETTING ME BE MYSELF AGAIN (Music Video)

Below is a link to a new video that was used in my Shuso Hossen Ceremony. It involves images of the Vista Zen Center and music produced by me and Central Florida’s favorite blues singer “Stoney” Stone.  For more background on the ceremony, the video and Stoney, read below before watching.

About a month ago I published a post titled “Koan For Manoj’s Shuso Hossen” (http://artandzentoday.com/?p=4380).  In that article I wrote:

 In this ceremony a student offers his or her understanding of the Koan and fields questions from other students about the Koan to demonstrate their readiness to be considered a senior student.  Usually, students are assigned to work on one of the traditional Koans that have been part of the training for Zen monks throughout the centuries in China and Japan.  However, my teacher has decided to explore alternative Koans that speak more to  Westerners living and practicing Zen in non-monastic circumstances.

The Ceremony was held on March 5, 1916 and  many of my upcoming posts will either entail segments from the video recordings made that night or will be based on my experiences as a Shuso at the Vista Zen Center. The essence of my Shuso Koan (see below) had to do with how I would or could fulfill the Four Bodhisattva Vows as an artist. During the Ceremony I presented 5 different musical performances that I saw as answering my Koan. In addition to my presentations, about 15  other members of the Center  also gave short performances displaying their understanding of Zen and their creative interests.  So the Ceremony consisted of a full evening of poems, songs, stories, demonstrations and short talks etc.

                                                            Shuso Koan

I ended my portion of the evening by singing Sly Stone’s “I want to Thank You For Letting Me Be Myself Again” using altered lyrics that I hoped expressed my appreciation to my teacher and fellow students for providing a safe place to practice Zen.


A week after the Ceremony, my wife’s niece Elene and her boyfriend “Stoney” visited with us for a few days. They both are musicians and play together in various venues in central Florida.   Stoney’s other band “Stoney and the Housebreakers” also play for events throughout Florida and have produced numerous CDs.  Their album “Cruisin’ For A Bluesin’ ” was the recipient of the prestigious Central Florida “CD of The Year Award” in 2009 @ The Brevard Live Florida Music Awards.(See the band’s  website: http://www.stoney3.com/ )

                                                          Elene and Stoney

Anyway, soon after our visitors arrived, I had Stoney in my studio singing the altered lyrics to the Sly Stone classic.  The short video below incorporates the recording Stoney and I produced and is accompanied by images compiled for the Shuso Hossen Ceremony to display the talents and dedication of the members of the Vista Zen Center.

https://youtu.be/WdWtlB6cphI

 

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AARP: A MUSIC/VIDEO PARODY OF “LOUIE LOUIE”

We are all aging but most of us don’t start worrying about it until we

receive an invitation to join AARP.  Although you can’t stop the aging

process, I find that it does help to maintain a sense of humor about

it all.  Thus, the Rap/Music/Video below as performed by “The Senior Moments”.  I hope you enjoy it.  It appears that the hyperlink below is not working so you may have to copy

the address below and paste it in your Browser.

https://youtu.be/Jg5WFONo9xA