WELCOME TO THE ART AND ZEN TODAY BLOG.

October 22nd, 2008

Welcome to “ART AND ZEN TODAY”. If you are new to this site, I would suggest starting with the post titled “Experience #1. Or, feel free to check out recent articles and those in the Archives. This blog is a little different so before you dive in, let me tell you what I intend to do here. This Blog will:

  1. look at the interface between contemporary art practice and contemporary spiritual practice.
  2. include some interactive and experiential Play Posts ( I call them EXPERIENCES) that will hopefully be fun, inspirational, provocative and awareness-raising for those involved in spiritual and/or artistic practices.
  3. be updated bi-WEEKLY with new posts. Some are Interactive Experiences that may take about 10 – 15 minutes to play. However, there is a lot going on in each Experience, so feel free to come back to play again.
  4. be an opportunity for connecting with others with similar interests. Please leave comments each time you visit.
  5. hopefully include art work and/or post by guest posters.
  6. probably include some shameless self-promotion on my part but, will also serve as a “point of practice in my Zen studies with John Jiyu Gage Sensei (see the ABOUT page); he and I will meet to discuss each post.
  7. not necessarily MAKE SENSE so just jump in and “go with the flow”. If posts occasionally sound “preachy” or “teachy”, it’s probably because I am writing about something I know I need to pay attention to and practice myself.

INTERVIEW WITH LINDA (SEIDO) MADSEN

October 21st, 2008


Anyone who has visited The Vista Zen Center has seen Linda’s art hanging on the wall and if lucky have run into the artist herself. Unfortunately, Linda, whose Dhrama name is Seido, lives near Boise Idaho and only visits us during Sesshins. She became interested in Zen several years ago while doing research for a book and began sitting with a local group in Boise. One member of the group, Kathleen Rose was a student of Jakes and Seido met Jake on one of his trips to the Boise area. I asked Seido to give me a brief biography with the intention of pulling out relevant pieces of information to write this introduction. However, I found her personal history to be so fascinating and well written that I have decided to print it as an appendix at the end of this interview. I strongly suggest that you read it after the interview as it will provide some additional insight into this creative soul. So, on with the interview. Read the rest of this entry »

DREAM SYMPOSIUM ON ZEN AND CREATIVITY

September 29th, 2008

“Kaliflowers” Digital Painting by Manoj

Recently I purchased a “Dreamthon 500”. If you are not familiar with this machine, it can most easily be described as a “dream transcriber”. Very simply, you hook yourself up to several electrodes leading to the machine and in the morning any dreams you had during the night are transcribed and can be printed out via any ink jet printer. Below is the transcript for a dream I had last week where I found myself serving as a moderator at a symposium on “Zen and Creativity”. The members of the panel discussion consisted of some of the big names in the world of Zen and I remember feeling a bit intimidated as I tried to lead a fruitful discussion on the topic. Read the rest of this entry »

EXPERIENCE #2 SEEING THE WHIRLED AS IT IS.

July 4th, 2008

Whirled Piece #1, ACRYLIC ON CANVAS, 4FT BY 4FT. BY MANOJ

SEEING THE WHIRLED AS IT IS.

+++++

Please stop it!

Stop What?

Whatever you’re doing.

But, IT’s doing it to me.

Well, then stop IT.

I’m tired of trying to stop IT.

Good. So, stop it already.

+++++++

Before reading on, please go back and spend a few moments with the image and the commentary again. Then click on “Read the rest of this entry”.

Ok. Before you read on, take some mental notes about your experience with “Whirled Piece #1. What feelings or sensations did you experience? What do you make of the comments below the image? Read the rest of this entry »

EXPERIENCE #1 HEARING THE HERE.

June 21st, 2008

“The Sound of One Hand Clapping” By Manoj

HEARING THE HERE

It is generally assumed that both the practice of Zen and the practice of art can help a person become more self-aware. How these two practices relate to one another, can be seen in the work of John Cage.

In 1952 Cage, a artist, composer and a student of Zen showcased a composition entitled 4′ 33″, which involved four minutes and 33 seconds of silence. Cage intended for the audience to recognize that the sounds all around them in the environment were as interesting as anything they would hear in a musical performance. Cage was inviting them to listen, in an unfiltered way, to the reality of the moment; the here and now.

Instead, almost everyone in the audience got angry. Read the rest of this entry »

JERRY SEINFELD: MASTER OF NOTHINGNESS

May 22nd, 2008

You remember Jerry Seinfeld. He’s the real life comedian who played himself as a comedian named Jerry Seinfeld in the sit-com “Seinfeld” where he pitches a sit-com to a TV network to play himself, Jerry Seinfeld, in a sit-com about nothing. Since the show ended 10 years ago, (can you believe it’s been 10 years?) Seinfeld, despite doing stand-up and a movie, feels that he is doing a whole lot of “nothing”. Presumably he means that because his everyday life is rather ordinary in comparison to the days when he was involved in the sit-com, he feels like he’s not doing anything. So much so that his “doing nothing” has become the subject of his rare stand-up performances. Read the rest of this entry »

ON LINE CONCERT PERFORMANCE OF JOHN CAGE’S 4′ 33″

May 21st, 2008

John Cage in Performance

Welcome to an on-line performance of John Cage’s masterpiece 4′ 33″.

The audio volume of this particular performance may not be high, so listen carefully.

DISCLAIMER: Some performances may be slightly shorter or longer than four minutes and 33 seconds and each involves different instrumentation. Thank you for your understanding.

Hit the large PLAY button below. It may take some time for the audio to load so while you are waiting for the concert to begin, sit back, close your eyes and relax. Take in the sounds of the performance.

When your concert is over scroll down to continue.

PLAY BUTTON

*****************************************************

When your concert is over, scroll down below the image.

Sinoscape #1

by Manoj

Before returning to the main post, please take the time to briefly describe your experience of 4′ 33″.

Do this in the “Leave a Reply” box at the bottom of this page. If you do not want your name published with your comments, write “Anonymous” where it asks for your name.

Here are some ideas for replies:

How long did it last?

What “instruments” were involved in your version of 4′ 33″?

Give a critique of your performance.

Be sure to read the comments of others who have visited this site.

“You are the music

while the music lasts.”

T.S. Elliot

Press your browser’s return arrow to go back to the main post

TWO ZEN POEMS BY JON WESICK

May 21st, 2008

SEATTLE ZEN POEM, by Jon Wesick

Sometimes I sit and watch my thoughts

come and go like clouds in the sky.

When one stays too long,

others gather,

and soon there is a shower.

It rains a lot here,

but last night it was clear,

and I observed the moon and the stars.

*****

COUNTING BREATHS, by Jon Wesick

In – one, out – one, in – two, out – two…

Tightness in the chest – dizzy

Always out of breath when counting breaths

Let go of the breath. Just sit.

An evening breeze enters through the open window – cooling.

Robes too hot for summer

Tired of listening to my thoughts

Give the mind a rest.

Listen to the birds instead.

Oh! There it is!

The whine of a gasoline edger

Whzzzz!

*****

Zen and Writing

Jon Wesick

I practice Zen and write. I’m in good company. Zen practitioners Gary Snyder, Philip Whalen, Jane Hirshfield, and Norman Fischer write (or have written) poetry while Natalie Goldberg, Peter Matthiessen, and Janwillem van de Wetering write prose.

To explain how Zen influences my poetry I need to define what Zen and poetry are. Zen is the Japanese pronunciation of the Sanskrit term, dhyana, which means meditation. As I practice it, meditation is simply the act of being present in the here and now. When meditating I observe my thoughts without trying to repress or grab hold of them. It’s hard to define poetry but the most basic advice for writing it is, “Show. Don’t tell.” That is, present the images and emotions raw without interpretation. Sounds a lot like meditation. Doesn’t it? Accept your thoughts as they are without rationalization and self-justification. In poetry I express my experiences as honestly as I can in the hope of triggering the recognition of something similar in my readers. The highest compliment a reader can give a poem of mine would be to say, “I feel that way, too!”

Fiction is a different discipline. The art of the story depends on conflict and resolution. Stories are hard-wired in the human brain. They’re how we view reality. The problem is that reality isn’t a story. I’ve struggled for years to understand the Buddha’s Second Noble Truth, Suffering’s Cause, and how it manifests in my life. For me suffering arises not so much from craving but from the stories I tell myself that aren’t true. When I work myself into a rage imagining a final showdown with an irritating coworker, I’m telling myself a false story. By writing fiction, I am better able to recognize the author of suffering lifting his pen.

After writing both prose and poetry, I wonder about the difference between them. What is poetry after all? Free verse doesn’t have the meter and rhyme that sets formal poetry apart from prose. Poets often speak about the music of the line. This doesn’t help me as I’m more of a philosopher with a tin ear than a musician when it comes to verse. A poem tends to have looser grammar and more metaphor than prose, but this isn’t all. Sam Hamod says a poem has more to do with feeling than with line number and counting syllables. Perhaps a poem is like pornography. I can’t define it but I know one when I hear one.

I also wonder about the purpose of Zen. What is it about sitting and staring at a wall that’s special? Could you get the same effect by shooting a bow or flying a glider? After years of meditation practice I did not become the invulnerable superman, I wanted to be. I became more myself in a way I can’t quite express. Facing the blank page is like being at a Zen retreat in a room full of gongs and shaved heads and asking, “What am I doing here?” The answer to this question is often to simply do what needs doing, recite the Heart Sutra or write the next sentence.

Friend, what are we doing here? This human life is mysterious. It’s entertaining to speculate on how we got here and why. Unlike many, I believe we may indeed find answers to these questions in time. And still, we need to go to work and care for our loved ones. Let’s get on with it.

END

Jon Wesick is an accomplished poet who has been writing poetry for about 10 years and studying Zen for about 20 years. He is also a member of The Vista Zen Center and was recently asked by Jake Sensei to put together a compilation of some of his more Zen-related poems. This resulted in the printing of “The Deer Park Investigation”, which is available at the Zen Center or from Jon (jwesick@sbcglobal.com).

Seattle Zen Poem and Counting Breaths are short poems from this publication. Jon told me that both of these poems came to him in a flash and, for the most part, he played the role of a scribe. They capture the essence of the Zazen experience and would make excellent “Required Reading” for new Zen students. “Seattle Zen Poem” appeared in Sacred Journey and the North Cascades Buddhist Priory Newsletter. “Counting Breaths” appeared in the Thinking Post Anthology and the TTZC Newsletter.

You can read more of Jon’s work online at www.aphelion-webzine.com and www.asininepoetry.com .

I would encourage other poets or writers to contact me if interested in having their works posted on this site.

THE BOUNDARIES BETWEEN ART AND SCIENCE ARE IN THE MIND

May 13th, 2008

The image above is of one of the ingenious contraptions build by engineer/artist Theo Jensen from The Netherlands. I first became aware of Jensen upon seeing a video of an ad featured in a post written by my brother Jim and my nephew Max on their blog -site, Techimoto. I’d suggest that you go to this site to read the article and see the video before reading on. In the video, Jensen says that the boundaries between engineering and art exist only in our minds. This sound like something a Zen Master would say and is something to be pondered by those who think their interest in science or technology somehow precludes them from being artistic or creative. Read the rest of this entry »

BUDDHA-BUSH: CLEANING UP THE BIRDSH__.

May 11th, 2008

My painting called “Buddha-Bush” was painted not long after the U.S. invaded Iraq. Everyday I would read the newspaper at breakfast and find myself seething. I hated George W. Bush with a passion and everything I would read about him in the paper would make me feel fully justified in holding on to this hate. However, I also hated hating. I didn’t want to carry the tightness and the burning feeling in the pit of my stomach throughout the day. In talking with Jake Sensei about this, he suggested that I create some art around the issue. Read the rest of this entry »