WELCOME TO THE ART AND ZEN TODAY BLOG.

July 4th, 2008

Welcome to “ART AND ZEN TODAY”. If you are new to this site, I would suggest starting with the post titled “Experience #1. This blog is a little different so before you dive in, let me tell you what I intend to do here. This Blog will:

  1. look at the interface between contemporary art practice and contemporary spiritual practice.
  2. consist of interactive and experiential Play Posts ( I call them EXPERIENCES) that will hopefully be fun, inspirational, provocative and awareness-raising for those involved in spiritual and/or artistic practices.
  3. be updated bi-WEEKLY with new posts that should take only about 10 minutes to play.
  4. be an opportunity for connecting with others with similar interests.
  5. hopefully include art work and/or post by guest posters.
  6. probably include some shameless self-promotion on my part but, will also serve as a “point of practice in my Zen studies with John Jiyu Gage Sensei (see the ABOUT page); he and I will meet to discuss each post.
  7. not necessarily MAKE SENSE so just jump in and “go with the flow”. If posts occasionally sound “preachy” or “teachy”, it’s probably because I am writing about something I know I need to pay attention to and practice.

EXPERIENCE #2 SEEING THE WHIRLED AS IT IS.

July 4th, 2008

Whirled Piece #1, ACRYLIC ON CANVAS, 4FT BY 4FT. BY MANOJ

SEEING THE WHIRLED AS IT IS.

+++++

Please stop it!

Stop What?

Whatever you’re doing.

But, IT’s doing it to me.

Well, then stop IT.

I’m tired of trying to stop IT.

Good. So, stop it already.

+++++++

Before reading on, please go back and spend a few moments with the image and the commentary again. Then click on “Read the rest of this entry”. Read the rest of this entry »

EXPERIENCE #1 HEARING THE HERE.

June 21st, 2008

“The Sound of One Hand Clapping” By Manoj

HEARING THE HERE

It is generally assumed that both the practice of Zen and the practice of art can help a person become more self-aware. How these two practices relate to one another, can be seen in the work of John Cage.

In 1952 Cage, a artist, composer and a student of Zen showcased a composition entitled 4′ 33″, which involved four minutes and 33 seconds of silence. Cage intended for the audience to recognize that the sounds all around them in the environment were as interesting as anything they would hear in a musical performance. Cage was inviting them to listen, in an unfiltered way, to the reality of the moment; the here and now.

Instead, almost everyone in the audience got angry. Read the rest of this entry »

WELCOME TO ART AND ZEN TODAY

May 22nd, 2008

THE BLOGGER By Manoj

  • If you have an interest in the arts and/or Eastern techniques of liberation, like Zen, you should find something of interest on this blog. I will look at Zen from the Artist’s perspective and at Art from a Zen perspective and use both to  comment on everyday life. If you scroll down this page, you will find recent posts about art and science, George W. Bush as the Buddha, artistic feedback, Jerry Seinfeld as Zen master, blogging as performance art, Zen poetry and more. In the weeks ahead look for posts on:
  • Why ugly art is important.
  • Why art is “useless”.
  • Self-”Zensorship”.
  • Vote for Your Artistic Idol.
  • Music and the Right Brain.
  • The Buddha as Performance Artist.
  • Painting as Practice.
  • Trusting the Artistic Process.
  • Five things to know about getting in the “flow”.
  • Zen and the Art of Dishwasher Loading.

Your comments on the posts you read are greatly appreciated. If you wish to remain anonymous, let me know when you write them.

Thank you,

Steve (Manoj) Wilson

JERRY SEINFELD: MASTER OF NOTHINGNESS

May 22nd, 2008

You remember Jerry Seinfeld. He’s the real life comedian who played himself as a comedian named Jerry Seinfeld in the sit-com “Seinfeld” where he pitches a sit-com to a TV network to play himself, Jerry Seinfeld, in a sit-com about nothing. Since the show ended 10 years ago, (can you believe it’s been 10 years?) Seinfeld, despite doing stand-up and a movie, feels that he is doing a whole lot of “nothing”. Presumably he means that because his everyday life is rather ordinary in comparison to the days when he was involved in the sit-com, he feels like he’s not doing anything. So much so that his “doing nothing” has become the subject of his rare stand-up performances. Read the rest of this entry »

TWO ZEN POEMS BY JON WESICK

May 21st, 2008

SEATTLE ZEN POEM, by Jon Wesick

Sometimes I sit and watch my thoughts

come and go like clouds in the sky.

When one stays too long,

others gather,

and soon there is a shower.

It rains a lot here,

but last night it was clear,

and I observed the moon and the stars.

*****

COUNTING BREATHS, by Jon Wesick

In – one, out – one, in – two, out – two…

Tightness in the chest – dizzy

Always out of breath when counting breaths

Let go of the breath. Just sit.

An evening breeze enters through the open window – cooling.

Robes too hot for summer

Tired of listening to my thoughts

Give the mind a rest.

Listen to the birds instead.

Oh! There it is!

The whine of a gasoline edger

Whzzzz!

*****

Zen and Writing

Jon Wesick

I practice Zen and write. I’m in good company. Zen practitioners Gary Snyder, Philip Whalen, Jane Hirshfield, and Norman Fischer write (or have written) poetry while Natalie Goldberg, Peter Matthiessen, and Janwillem van de Wetering write prose.

To explain how Zen influences my poetry I need to define what Zen and poetry are. Zen is the Japanese pronunciation of the Sanskrit term, dhyana, which means meditation. As I practice it, meditation is simply the act of being present in the here and now. When meditating I observe my thoughts without trying to repress or grab hold of them. It’s hard to define poetry but the most basic advice for writing it is, “Show. Don’t tell.” That is, present the images and emotions raw without interpretation. Sounds a lot like meditation. Doesn’t it? Accept your thoughts as they are without rationalization and self-justification. In poetry I express my experiences as honestly as I can in the hope of triggering the recognition of something similar in my readers. The highest compliment a reader can give a poem of mine would be to say, “I feel that way, too!”

Fiction is a different discipline. The art of the story depends on conflict and resolution. Stories are hard-wired in the human brain. They’re how we view reality. The problem is that reality isn’t a story. I’ve struggled for years to understand the Buddha’s Second Noble Truth, Suffering’s Cause, and how it manifests in my life. For me suffering arises not so much from craving but from the stories I tell myself that aren’t true. When I work myself into a rage imagining a final showdown with an irritating coworker, I’m telling myself a false story. By writing fiction, I am better able to recognize the author of suffering lifting his pen.

After writing both prose and poetry, I wonder about the difference between them. What is poetry after all? Free verse doesn’t have the meter and rhyme that sets formal poetry apart from prose. Poets often speak about the music of the line. This doesn’t help me as I’m more of a philosopher with a tin ear than a musician when it comes to verse. A poem tends to have looser grammar and more metaphor than prose, but this isn’t all. Sam Hamod says a poem has more to do with feeling than with line number and counting syllables. Perhaps a poem is like pornography. I can’t define it but I know one when I hear one.

I also wonder about the purpose of Zen. What is it about sitting and staring at a wall that’s special? Could you get the same effect by shooting a bow or flying a glider? After years of meditation practice I did not become the invulnerable superman, I wanted to be. I became more myself in a way I can’t quite express. Facing the blank page is like being at a Zen retreat in a room full of gongs and shaved heads and asking, “What am I doing here?” The answer to this question is often to simply do what needs doing, recite the Heart Sutra or write the next sentence.

Friend, what are we doing here? This human life is mysterious. It’s entertaining to speculate on how we got here and why. Unlike many, I believe we may indeed find answers to these questions in time. And still, we need to go to work and care for our loved ones. Let’s get on with it.

END

Jon Wesick is an accomplished poet who has been writing poetry for about 10 years and studying Zen for about 20 years. He is also a member of The Vista Zen Center and was recently asked by Jake Sensei to put together a compilation of some of his more Zen-related poems. This resulted in the printing of “The Deer Park Investigation”, which is available at the Zen Center or from Jon (jwesick@sbcglobal.com).

Seattle Zen Poem and Counting Breaths are short poems from this publication. Jon told me that both of these poems came to him in a flash and, for the most part, he played the role of a scribe. They capture the essence of the Zazen experience and would make excellent “Required Reading” for new Zen students. “Seattle Zen Poem” appeared in Sacred Journey and the North Cascades Buddhist Priory Newsletter. “Counting Breaths” appeared in the Thinking Post Anthology and the TTZC Newsletter.

You can read more of Jon’s work online at www.aphelion-webzine.com and www.asininepoetry.com . In the near future I will be posting an excellent article by Jon called “Zen and Writing”.

I would encourage other poets or writers to contact me if interested in having their works posted on this site.

THE BOUNDARIES BETWEEN ART AND SCIENCE ARE IN THE MIND

May 13th, 2008

The image above is of one of the ingenious contraptions build by engineer/artist Theo Jensen from The Netherlands. I first became aware of Jensen upon seeing a video of an ad featured in a post written by my brother Jim and my nephew Max on their blog -site, Techimoto. I’d suggest that you go to this site to read the article and see the video before reading on. In the video, Jensen says that the boundaries between engineering and art exist only in our minds. This sound like something a Zen Master would say and is something to be pondered by those who think their interest in science or technology somehow precludes them from being artistic or creative. Read the rest of this entry »

BUDDHA-BUSH: CLEANING UP THE BIRDSH__.

May 11th, 2008

My painting called “Buddha-Bush” was painted not long after the U.S. invaded Iraq. Everyday I would read the newspaper at breakfast and find myself seething. I hated George W. Bush with a passion and everything I would read about him in the paper would make me feel fully justified in holding on to this hate. However, I also hated hating. I didn’t want to carry the tightness and the burning feeling in the pit of my stomach throughout the day. In talking with Jake Sensei about this, he suggested that I create some art around the issue. Read the rest of this entry »

JAKE SENSEI COMMENTS ON “BLOGGING AS PERFORMANCE ART”.

May 10th, 2008

Jake Sensei has agreed to respond to selected Posts that I have written. Since he is extremely busy with administrative and teaching duties and with family matters, not to mention his own art practice, we have agreed follow the procedure described below as a means of getting his responses in print. We meet after he reads a particular post that I have written and I take notes on or record his comments. I attempt to paraphrase what I heard him say and send him a written version of his comments. He edits, revises or adds to this version, and sends it back to me to publish on the blog-site. Below are Jake Sensei’s comments on the two posts having to do with “Blogging as Performance Art” (PART 1, PART 2. Read the rest of this entry »

BLOGGING AS PERFORMANCE ART? POST #2

May 6th, 2008

I’m starting to feel rather like the fellow in the accompanying image, which is not me, by the way. He looks naked and self-confident; the kind of self confidence that comes from being oblivious to how he really appears to others. Two posts ago (Blogging as Performance Art?) I tried to make the case that there are some close parallels between some types of performance art and the process of moving along various spiritual paths. Based on this, I have started to see my blogging activity as moving my actions as a Zen student even closer to performance art. Here’s how I came to make the connection. Read the rest of this entry »